10 Contemporary Artists Talk About Their Creative Process

 In Art & Gallery News, Artists & Special Collections
Duaiv, Park West Gallery artist

Duaiv

“How do you create a work of art?”

That sounds like a straightforward question, but it has millions of potential answers. Every artist in the world has their own unique way they approach a blank canvas. Some come prepared with sketches and outlines. Others wait for a spark of inspiration until the last minute.

They’re all performing similar actions—painting, drawing, etching, sculpting—but it’s the subtle variations in how they perform each one that really defines them as an artist.

At Park West, we love “talking shop” with our artists, particularly about how they work, because it varies so wildly from artist to artist.

If you’ve ever wondered how an artist can start with nothing and end up with a stunning work of art, here are 10 of our favorite artists talking about their creative process.

 

DUAIV

When I start a painting, there are no rules. Sometimes, I know what I am going to do. Sometimes, I don’t know what I’m going to do. I paint always without pictures. I do everything by memory. I don’t like to draw, so I put my oil on the canvas. You surprise yourself. You don’t know where you are going.

Duaiv, Park West Gallery artist

Duaiv

 

TIM YANKE

My approach to painting is to maintain spontaneity. There is life in movement, death in stagnation. And I approach every painting with the idea that I want that painting to continuously move—whether it’s your eyes around the painting or the emotions you have with the painting. I want that painting to come to life.

Tim Yanke, Park West Gallery artist

Tim Yanke

 

DAVID “LEBO” LE BATARD

My process in creating artwork—it starts very simply—is through drawing. I do a lot of sketches, I do a lot of reference work and gather a lot of source material. I start with a lot of pencil sketches and, from there, try to create a sort of creative flow.

Lebo, Park West Gallery artist

Lebo

 

JAMES COLEMAN

When someone sees one of my paintings, I want them to really feel the place that I’m depicting. And so my desire is that they’re going to want to travel into that painting and become part of it. …

Painting, for me, is an intuitive process, and so I let the canvas tell me where to go, and the paint and the canvas and me create a piece of art that people will enjoy.

James Coleman, Park West Gallery artist

James Coleman

 

ALEXANDRE RENOIR

I use palette knives because for me it adds a dimension to the painting. There is that thickness, that working in the flow of the paint, that it casts its own shadow. I make my own knives. I buy every knife I can find.

I’ve got so many that I’ll never use, but they all give me these ideas, these urges to try things and to experiment, and that’s all it’s really about.

Alexandre Renoir, Park West Gallery artist

Alexandre Renoir

 

ROMERO BRITTO

People tell me that my style is Pop art. Some people say that it’s a “Britto style.” I’m just like, “I paint and that’s what I do.” I let the critics and I let the experts in the arts say whatever they want. But, at the end of the day, I just paint.

Britto, Park West Gallery artist

Britto

 

YUVAL WOLFSON

For me, the best situation is to sit in front of a blank canvas. Sometimes, I have an idea how to begin. Sometimes, I don’t need an idea. I just touch the canvas with a brush and something goes on it and it starts. …

When other people look at my paintings, I want them to feel part of the story, part of the process of creation, something new. Not like they’re taking home something finished. They just began.

Yuval Wolfson, Park West Gallery artist

Yuval Wolfson

 

WYLAND

When I’m painting a mural, it’s exactly like I’m painting a canvas. I cover the entire background with color, and it’s kind of like a Polaroid photograph where you see this mass of color slowly coming into sharp focus until you do the final details, highlights, shadows.

What I’m trying to create is a three-dimensional experience. But art, like music, is a feeling, and all the great artists have that gift. That’s what I’m trying to do in my art.

Wyland, Park West Gallery artist

Wyland

 

GUY HARVEY

The tools of my trade begin with pen and ink… very detailed work, both in cross-hatching and stippling. I still employ that technique today because it’s very effective. No matter what medium I’m using, it begins with the sketch.

I’ve got to get the proportions right, I’ve got to get the orientation right. To me, the most exciting parts of executing a painting are the beginning and the end.

Guy Harvey, Park West Gallery artist

Guy Harvey

 

DOMINIC PANGBORN

I had a professor who started out day one with: “Be yourself. You will never be Picasso, but then Picasso will never be you.”

Those words resonated into my life, my creativity. When I see others trying to emulate a style or technique or something else, they may be a master at it, but, to me, I’m myself and there’s only one of me.

Dominic Pangborn, Park West Gallery artist

Dominic Pangborn

 

If you are interested in collecting the works of any of these artists (and their amazing creative processes), you can contact our gallery consultants at (800) 521-9654 ext. 4 or sales@parkwestgallery.com for information.

 

LEARN MORE ABOUT PARK WEST GALLERY ARTISTS:

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Showing 3 comments
  • Michael Maggiano
    Reply

    Unique works by Duaiv, Wyland, and Wolfson already grace my walls. Great to understand their process. I’ve met all three and I’m amazed at what they can create

  • Bob Ragland
    Reply

    THANKS for this!!!! Bravo!!!! Back stories and working methods on artists, are always needed. The press in Denver ain’t talking.
    The interviewers would never think to ask this. BRAVO TIMES 10,000.

  • ella
    Reply

    It’s always great to hear of other artist’s processes. Thank you for sharing.
    My only concern is that it appears that all 10 artists are male.
    thank you

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