Artists
Joan Miró
Joan Miró was born in Barcelona, Spain, as the son of a goldsmith and jewelry maker. He studied art at the Academia Galí and at the Barcelona School of Fine Art. Miró had developed his own unique style of imagery derived from elements of Catalan folk art and the art of children. Eventually, Breton described him as, “the most Surrealist of us all.”
Artwork
Étude pour 'L'enfance d'Ubu'
280644 Miro, Joan Étude pour 'L'enfance d'Ubu' c. 1953 12 15/16" x 19 11/16" wax crayon, brush and ink on paper. Signed by the artist in pencii, lower right. A unique work. Formerly from the Tériade Collection, Paris. The authenticity of this work has been confirmed by the Association pour la Défense de l'oeuvre de Joan Miró (ADOM).
Flux de l'Aimant: (D. 373)
327475 Miro, Joan Flux de l'Aimant: (D. 373) 1964 D. 380, Cr. 88 16 1/2" x 20" Drypoint on BFK Rives paper. Initialed in pencil, lower right, and numbered. From the 17-piece suite 'Flux de l'Aimant' consisting of 12 drypoints in color and 5 drypoints in black. From the numbered edition of 75 (20 hors commerce proofs also exist). Printed by Maeght éditeur, Paris.
Flux de l'Aimant: (D. 374)
327476 Miro, Joan Flux de l'Aimant: (D. 374) 1964 D. 374, Cr. 88 16 1/2" x 20" Drypoint on BFK Rives paper. Initialed in pencil, lower right, and numbered. From the 17-piece suite 'Flux de l'Aimant' consisting of 12 drypoints in color and 5 drypoints in black. From the numbered edition of 75 (20 hors commerce proofs also exist). Printed by Maeght éditeur, Paris.
Flux de l'Aimant: (D. 380)
327474 Miro, Joan Flux de l'Aimant (D. 380) 1964 D. 380, Cr. 88 16 1/2" x 20" Drypoint on BFK Rives paper. Initialed in pencil, lower right, and numbered. From the 17-piece suite 'Flux de l'Aimant' consisting of 12 drypoints in color and 5 drypoints in black. From the numbered edition of 75 (20 hors commerce proofs also exist). Printed by Maeght éditeur, Paris.
Flux de l‘Aimant
324543 Miro, Joan Flux de l‘Aimant 1965 D. 410, Cr. 101 4 5/8" x 3 1/2" Etching with drypoint on Rives wove paper with full margins. Signed by the artist in pencil, lower right, and numbered in Roman numerals. An illustration from 'Flux de l'Aimant' with text by René Char. From the edition of 30 examples aside from the Arabic numbered edition of 300 (20 examples initialed 'R.C" (René Char) and numbered in Roman numerals also exist). Printed by Lacourière. Paris. Published by Gaston Puel, Veilhes...
Franck Elgar
228545 Miro, Joan Ink Drawing from book published by Franck Elgar 1954 7'' x 4 1/2'' Original ink drawing. Signed and dated in blue ink. Also dedicated ''A Franck Elgar en toute Sympathie, Miro''. From the book titled "Miro", containing 20 color illustrations of Miro's work. Published by Fernand Hazan, Paris. Provenance: From the collection of art critic Franck Elgar to whom the book and drawing were dedicated. KEEP WITH BOOK
Fusées (Rockets): one plate
282877 Miro, Joan Fusées (Rockets): one plate 1959 D. 251, Cr. 54 5 1/4" x 7" Etching and aquatint on Rives wove paper with full margins. Signed by the artist in pencil, lower right, and numbered. One of 15 etchings from "Fusées (Rockets)". From the Arabic numbered edition of 50 examples (15 Roman numbered copies on Rives wove, 5 Roman numbered copies on Japan Misumi paper and 15 Roman numbered copies on Ancient Japan paper also exist). Published by Louis Broder, Paris.
Grand Duc II
327471 Miro, Joan Grand Duc II 1965 D. 395 26 3/4" x 20 3/4" Etching and aquatint in colors on Arches wove paper. Signed in pencil lower right. From the numbered edition of 75 examples (some hors commerce proof impressions also exist). Printed and published by Maeght, Paris.
Journal d'un graveur
318084 Miro, Joan Journal d'un graveur 1975 D. 817 22 3/8" x 17 1/2" Drypoint in black on B.F.K Rives wove paper. Signed by the artist in pencil, lower right, and numbered. One of fifteen drypoints from 'Journal d'un graveur', presented by Jacques Dupin. From the Arabic numbered edition of 75 examples (10 hors commerce proofs numbered in Roman also exist). Printed by Morsang, Paris. Published by Maeght, Paris.
Journal d'un Graveur (D. 803)
85957 Miro, Joan Journal d'un Gravure 1964-75 D. 803; C. 200 22 3/8'' x 17 1/2'' (paper size) Etching in color on black ground on BFK Rives paper. From the three volume portfolio `Journal d'un Gravure'; each volume containing one etching and aquatint in color, fifteen drypoints and two unsigned etchings in color on black ground (one used as the cover for each volume). From a portfolio numbered out of 75 (10 portfolios hors commerce numbered I-X also exist). Printed by Morsang, Paris. Published i...
Journal d'un Graveur (D. 821)
74112 Miro, Joan Journal d'un Gravure 1964-75 D. 821; C. 200 22 3/8'' x 17 1/2'' (paper size) Etching in color on black ground on BFK Rives paper. From the three volume portfolio `Journal d'un Gravure'; each volume containing one etching and aquatint in color, fifteen drypoints and two unsigned etchings in color on black ground (one used as the cover for each volume). From the portfolio numbered 35/75 (10 portfolios hors commerce numbered I-X also exist). Printed by Morsang, Paris. Published in...
La Femme aux bijoux
333548 Miro, Joan La Femme aux bijoux 1968 D. 452 18 1/2" x 13 1/2" Aquatint with carborundum on Mandeure rag paper with full margins. Signed by the artist in pencil, lower right, and numbered. From the Arabic numbered edition of 75 examples (some H.C. proofs also exist). Published by Maeght éditeur, Paris. Printed by Arte Adrien Maeght, Paris.
La Main
501506 Miro, Joan La Main 1953 D. 100 13 7/8" x 19" Soft-ground etching and aquatint printed in colors on BFK Rives paper with full margins. Signed and dated by the artist in pencil, lower right, and numbered. From the Arabic numbered edition of 75 examples (some hors commerce proofs also exist). Printed by atelier Lacourière, Paris. Published by Maeght éditeur, Paris.
Le Grand Ordinateur
226877 Miro, Joan Le Grand Ordinateur 1969 D. 503 40'' x 23 1/2'' Etching, aquatint and carborundum in color on Arches wove paper. Signed in pencil lower right. From the hors commerce edition (aside from the numbered edition of 75). Printed by Morsang, Paris and published by Maeght, Paris.
Le Matador
205285 Miro, Joan Le Matador 1969 D. 510 42'' x 29'' Etching, aquatint and carborundum in color on Arches wove paper. Signed in pencil lower right. From the numbered edition of 75 examples (some hors commerce proof impressions also exist). Published by Maeght, Paris. Printed by Morsang, Paris.
Le sarrasin à l'étoile bleue
336489 Miro, Joan Le sarrasin à l'étoile bleue 1973 D. 578 54 3/8" x 26 5/8" Etching, aquatint and carborundum in color on Arches wove paper. Signed by the artist in pencil, lower right, and numbered. From the Arabic numbered edition of 50 examples (some hors commerce impressions also exist). Printed by Morsang, Paris. Published by Maeght Éditeur, Paris.
Lithograph
97484 Miro, Joan Lithograph 1981 C. 249 12 1/2'' x 9 5/8'' Lithograph in color on wove paper. In 1981, Miro created for the fourth volume of the catalog raisonne of his lithographic work one original lithograph in color for the cover and five original lithographs in color that were included in the book. (Two additional lithographs were reserved for the deluxe edition of 150 examples). These works are illustrated on pages 33-39 of ``Joan Miro Lithographs, Volume II''. Printed by Imprimerie Modern...
Lithograph Vol. I - cover
164428 Miro, Joan Lithograph M. 854 1972 12 3/4'' x 10'' Lithograph in color on wove paper. In 1972, Miro created for the first volume of the catalog raisonne of his lithographic work one original lithograph in color for the cover and eleven original lithographs in color that were included in the book. (Two additional lithographs were reserved for the deluxe edition of 150 examples). These works are illustrated on pages 33-39 of ``Joan Miro Lithographs, Volume II.'' Printed by Mourlot, Paris.
Terres de Grand Feu II
26096 Miro, Joan Terres de Grand Feu V 1956 M. 155 C. 34 11'' X 15'' Lithograph in color with text verso. From ``Derriere Le Miroir,'' no. 87-89 from the catalogue of the exhibition `Terres de Grand Feu, Miro-Artigas,' Galerie Maeght. From the unsigned regular edition (a deluxe edition of 150 also exists). Printed by Mourlot and Maeght. Published by Maeght Editeur.
Tête au soleil couchant
282724 Miro, Joan Tête au soleil couchant 1967 D. 437 11" x 14 7/8" Etching with aquatint and carborundum on Arches wove paper with full margins. Signed by the artist in pencil, lower right, and numbered. From the Arabic numbered edition of 75 examples (some hors commerce impressions also exist). Published by Maeght, Paris.
Ubu Roi (M.414)
339608 Miro, Joan Ubu Roi 1966 M., Ma. 414; M. 482; C. 108 16 1/2'' x 24 3/4'' Lithograph in color on Arches vellum paper with the Arches watermark. From the Arabic numbered edition of 75 examples printed in color only and unsigned (75 Arabic numbered examples in black with the initial of the artist, 75 Arabic numbered examples in color with the full signature of the artist, and 25 hors commerce proofs, annotated H.C., also exist). Published by Teriade, Paris. Printed by Mourlot, Paris. The stor...
Ubu Roi (M.417)
339611 Miro, Joan Ubu Roi 1966 M., Ma. 417; M. 485; C. 108 16 1/4'' x 24 3/4'' Lithograph in color on Arches vellum paper with the Arches watermark. From the Arabic numbered edition of 75 examples printed in color only and unsigned (75 Arabic numbered examples in black with the initial of the artist, 75 Arabic numbered examples in color with the full signature of the artist, and 25 hors commerce proofs, annotated H.C., also exist). Published by Teriade, Paris. Printed by Mourlot, Paris. The stor...
Latest News
Behind the Artist: Joan Miró
Joan Miró defied the art world with groundbreaking artwork that pushed the boundaries of abstraction into its current form and paved the way for modern art. Intrigued by the artists gathering in Paris, Miró moved to the City of Lights in 1921. The Spanish artist crossed paths with other artists such as Pablo Picasso who were defining Surrealism and Cubism. Miró aligned himself with the proponents of the Surrealist movement in 1924. Despite the Surrealism connection, Miró rejected any all-encompa...
Joan Miró: Bringing the Subconscious to Life Through His Art
In Park West's new video, learn how Spanish artist Joan Miró revolutionized subjective art in the 20th century by exploring the subconscious mind.
Joan Miró’s Broder Collection: How One Artist Revolutionized Lithography
Joan Miró’s “Broder Collection” is a series of color lithographs that, until 2004, had been inaccessible for over 30 years. The Broder Collection’s vivid colors and obscure shapes align with Miró’s unique artistic style and desire to “assassinate art,” as he once said, enticing viewers to explore and interpret the meaning of each work. Origins of the Broder Collection Louis Broder was a French publisher who helped bring to life many incredibly important graphic works of the 20th century. He co...
100 Years Ago, Joan Miró Held His First Art Show—And It Was a Disaster
Artworks by Joan Miró are found in museum collections around the world. You might expect, then, that his artistic debut in 1918 was highly regarded. It wasn’t. 2018 marks the 100th anniversary of Miró’s first-ever solo exhibition—a show that didn’t go as the artist planned. In 1916, Miró frequented the Dalmau gallery in Barcelona. He had just finished his studies at the Francesc Galí’s Escola d’Art the year before and was interested in Cubist and Dadaist works. Miró eventually met with the galle...
