Artists
Rembrandt van Rijn
The ninth of 10 children born to Harmen Gerritzsoon van Rijn, a prosperous miller, and Neeltgen Willemsdochter van Zuytbrouck, the daughter of a baker, Rembrandt was born in Leiden, Holland – then considered to be one of the principal artistic and intellectual centers in Holland.
Artwork
Self Portrait in a Flat Cap and Embroidered Dress
Rembrandt van Rijn Self Portrait in a Flat Cap and Embroidered Dress c. 1638 B. 26; BB. 38-1; H. 157; NH. 210 3 13/16" x 2 9/16" Etching on laid paper with small margins. Signed in the plate, Rembrandt f., upper left. Nowell Usticke's third state of three and New Hollstein's third and final state, after the signature is scratched in with double outline and with the slipt stroke above the left eyebrow. According to Nowell Usticke, and early third state impression as issued by Bernard (1...
St. Jerome Kneeling in Prayer, Looking Down
Rembrandt van Rijn St. Jerome Kneeling in Prayer, Looking Down 1635 B., Holl. 102; BB. 35-H; NH. 142 4 5/8" x 3 5/16" Etching on thin laid paper with narrow margins or trimmed to the platemark. Signed and dated in the plate, Rembrandt f. 1635 (with the "d" in reverse and the "5" barely legible), upper right. Nowell Usticke's second state of three and New Hollstein's first state of two, with only the "R" visible from Rembrandt's signature. According to Nowell Usticke, a later secon...
Death of the Virgin
Rembrandt van Rijn The Death of the Virgin 1639 15 1/4" x 12 1/4" B., Holl.99; H.161; B.B.39-A Etching and drypoint on off-white laid paper with large margins. Signed and dated in the plate, lower left. The fourth state of five, according to Nowell-Eusticke. From the P.F.Basan receuil, as issued in 1789-1797. Showing the vertical shading on the formost bedpost and the strong shading on the back of the reader. Before the reworking of the plate that appears in the Jean and early Bernard receuils....
Old Beggar Woman with a Gourd
Rembrandt van Rijn Old Beggar Woman with a Gourd c. 1630 B., Holl. 168; H. 80; BB 30-16 4" x 1 3/4" Etching on laid paper. Unsigned and undated. Nowell Eusticke's only state; Biorklund Barnard's second state (of two); White and Boon's second state (of two). After the plate was reduced from 106mm x 49mm to 103mm x 46mm. A first state intermediate impression from the ``Recueil de Quatre-Vingt-Cinq Estampes Originales" as issued by P. F. Basan (1785-1797) with slightly ink plate edge...
Artist's Mother with Her Hand
131339 Rembrandt van Rijn The Artist's Mother with her Hand on her Chest (Millennium) 1631 B.349; H.50; BB. 31-9 3 5/8" x 2 1/2" Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. Initialed in the plate ("RL") and dated "1631." The second state according to Bjorklund, the seventh state according to Nowell-Usticke. A 20th-century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500 examples. This superbly printed e...
The Card Player (Millennium)
131346 Rembrandt van Rijn The Card Player (Millennium) 1641 B., Holl.136; H. 190; BB 41-M 3 1/2'' x 3 1/8'' Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. Signed and dated in the plate (left of the subject's face, center). The second state according to Bjorklund, the fourth state according to Nowell-Usticke. A 20th/21st-century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500 examples....
The Golf Player (Millennium)
131338 Rembrandt van Rijn The Golf Player (Millennium) 1654 3 11/16'' x 5 9/16'' Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. Signed and dated in the plate (bottom left). The second state according to Bjorklund, the third state according to Nowell-Usticke. A 20th/21st-century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500 examples. This superbly printed etching with strong contrasts, sel...
Landscape with a Cow (Millenni
131347 Rembrandt van Rijn Landscape with a Cow Drinking (Millennium) ca. 1650 B., Holl. 237; H. 240; BB 50-I 4 1/16'' x 5'' Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. The second state according to Bjorklund, the sixth state according to Nowell-Usticke. A 20th/21st Century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500 examples. This superbly printed etching with delicate dry-point line...
Old Beggar Woman with a Gourd
Rembrandt van Rijn Old Beggar Woman with a Gourd c. 1630 B., Holl. 168; H. 80; BB 30-16 4" x 2" Etching on thin laid paper with threadbare margins. Window support mount on thick laid card stock. Biorklund Barnard's second state of two, White and Boon's second state of two, and Nowell Eusticke's first and only state (after trial proof) after the plate was reduced to 103 x 49mm and the nearly horizontal line added at the bottom of the plate. According to Nowell Eusticke, an intermed...
Tribute Money, The
Rembrandt Van Rijn The Tribute Money 1635 B. 68; BB. 35-2; NH. 138 3 1/16" x 4 3/16" Etching on laid paper with narrow margins. Nowell Usticke's second state of three and New Hollstein's third state of four, after the additional shading to the shadows. According to Usticke, most likely from the P. F. Basan recueil as issued from 1789-1797. According to Schwartz, this is an illustration of the New Testament, Matthew 22: 13-17.
Christ Healing the Sick: A Fragment
Rembrandt van Rijn Christ Healing the Sick: A Fragment The Hundred Guilder Print 5 5/8" x 3" B., Holl.74; H.236; B.B.49-1 c. 1649 Etching and drypoint on wove paper with clean margins. Laid into a window mount at the sheet edges, verso. An impression after the plate was cut up following the second Baillie retouch which occurred in 1776. As recorded by Nowell Usticke who viewed the contemporary hand bill (printed in French), he notes that Capt. Baillie only printed a small number of impressions o...
David in Prayer
Rembrandt Van Rijn David in Prayer 1652 B., Holl. 41; BB. 52-C 5 3/4" x 3 3/4" Etching on thick wove paper with small, clean margins. Signed and dated, Rembrandt f. 1652, below the harp. Biorklund Barnard's third state of three, White and Boon's third state of three, and Nowell Eusticke's second state of three with the horizontal slipt stroke across David's lower back. An intermediate third state impression as issued by P.F. Basan (1785-1797) with the light spots between the...
Strolling Musicians, The
Rembrandt Van Rijn Strolling Musicians B. 119, H. 142, BB. 35-8 c. 1635 5 1/2" x 4 1/2" Etching on thin laid paper paper with small margins. Pen and ink description, lower margin. Pencil inscription, verso. Biorklund Barnard's first state of two, White and Boon's first state of two, and Nowell Eusticke's first state of three. An early first state impression before the wear in the fine close horizontal shading added to the base of the "V" of the woman's neck. Nowell Eusticke r...
Clement de Jonghe, Printseller
Rembrandt van Rijn Clement de Jonghe, Printseller 1651 B., Holl. 272; BB. 51-C 8" x 6 1/4" Etching with drypoint and burin on beige laid paper with large clean margins. Signed and dated in the plate, Rembrandt f. 1651, lower right. Biorklund Barnard's sixth state of six, White and Boon's sixth state of six, and Nowell Eusticke's eighth state of nine, after considerable shading is added to upper right corner of irregular arch with heavy irregular diagonals, and triangular patch on...
Artist Drawing from a Model
141990 Rembrandt Van Rijn The Artist Drawing from a Model circa 1646 B., Holl. 192; H. 231; BB 39-2 9'' x 7 1/4'' Etching on beige laid paper. Nowell Eusticke's first state of two. From the Jean recueil as issued in 1810. Before the heavy rebiting that appears in the later Bernard and Beaumont recueils.
Self Portrait Drawing at a Wi
131349 Rembrandt Van Rijn Self Portrait Drawing at a Window (Millennium) 1648 B. 22; BB. 48-A; Holl. 22 6 1/4'' x 5 1/8'' Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. Signed and dated in the plate (in the window sash, upper left corner). The fifth state according to Bjorklund, the eighth state according to Nowell-Usticke. A 20th/21st Century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500...
Christ and the Woman of Samar
131337 Rembrandt Van Rijn Christ and the Woman of Samaria: Among Ruins (Millennium) 1634 4 11/16" x 4 3/16" Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. Signed and dated in the plate (upper right). The second state according to Bjorklund, the fourth state according to Nowell-Usticke. A 20th/21st Century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500 examples. This superbly printed etching with strong contra...
Bust of a Man Wearing a High
131336 Rembrandt Van Rijn Bust of a Man Wearing a High Cap; Three-Quarters (Millennium) 1630 B. 321; BB.30-F; Holl. 321 4" x 3 1/4" Etching on Ingres d'Arches off-white laid paper (watermark) with large margins. Signed with the initials (RHL) and dated in the plate (upper left). The second state according to Bjorklund, the sixth state according to Nowell-Usticke. A 20th/21st Century impression printed by Marjorie Van Dyke. From the 'Millennium' edition limited to 2500 examples. Th...
Head of Saskia and Others
391981 Rembrandt Van Rijn Head of Saskia and Others 1636 B. 365; H. 145; BB. 36-B; NH. 157 6 1/8'' x 5 1/8'' Etching on laid paper with small margins. Signed and dated in plate, Rembrandt f. 1636, bottom center. Nowell Usticke's second state of two and New Hollstein's first state of two, with the scratches between the turban of the woman at upper left and Saskia's hair, and with the long scratch over Saskia's left eyelid. According to Usticke, likely from...
The Presentation of Christ in the Temple
C15758 REMA The Presentation of Christ in the Temple Includes: 389012 389013
An Old Man Asleep by the Fire
C15759 REMA An Old Man Asleep by the Fire Includes: 389014 389015
Rembrandt (?) Laughing
C15763 REMA Rembrandt (?) Laughing Includes: 389022 389023
Rembrandt with a Black Cap
C15765 REMA Rembrandt with a Black Cap Includes: 389026 389027
Rembrandt's Father as ""Philo
C15771 REMA Rembrandt's Father as "Philo the Jew" Includes: 389038 389039
St. Anastasius
C15791 REMA St. Anastasius Includes: 389078 389079
The Savant
C15794 REMA The Savant Includes: 389084 389085
David Playing the Harp Be (46)
C15797 REMA David Playing the Harp Before Saul Includes: 389090 389091
Portrait of a Young Lad
C15799 REMA Portrait of a Young Lad Includes: 389094 389095
Portrait of a Young Girl
C15803 REMA Portrait of a Young Girl Includes: 389102 389103
A Young Girl, Standing in an Interior
C15804 REMA A Young Girl, Standing in an Interior Includes: 389104 389105
Rembrandt's Sister, with a Veil
C15807 REmA Rembrandt's Sister, with a Veil Includes: 389110 389111
Rembrandt's Sister, Full-Face
C15808 REMA Rembrandt's Sister, Full-Face Includes: 389112 389113
The Rape of Proserpine
C15821 REMA The Rape of Proserpine Includes: 389138 389139
Portrait of Jan Pellicorne with His Son Caspar
C15830 REMA Portrait of Jan Pellicorne with His Son Caspar Includes: 389156 389157
Portrait of Susanna Van Collen Wife of Jan
C15831 REMA Portrait of Susanna Van Collen Wife of Jan Pellicorne with Her Daughter Includes: 389158 389159
Portrait of a man of forty
C15832 REMA Portrait of a Man of Forty Includes: 389160 389161
Portrait of a young man w (111
C15862 REMA Portrait of a Young Man with a Slight Beard Includes: 389220 389221
Saskia as Rembrandt's Wife
C15905 REMA Saskia as Rembrandt's Wife Includes: 389306 389307
A Boy with Disordered Curly Hair Turned to the
C15932 REMA A Boy with Disordered Curly Hair Turned to the Left Includes: 389360 389361
Flora with a Wreath of Flowers; A Bust
C15941 REMA Flora with a Wreath of Flowers; A Bust Includes: 389378 389379
St. Francis Praying
C15969 REMA St. Francis Praying Includes: 389434 389435
An Orphan Girl at an Open Window
C16052 REMA An Orphan Girl at an Open Window Includes: 389600 389601
Portrait of a Broad-Shouldered Man in a Small
C16062 REMA Portrait of a Broad-Shouldered Man in a Small Slouched Hat Includes: 389620 389621
Bust of a Man with a Black Beard in a High
C16063 REMA Bust of a Man with a Black Beard in a High Broad-Brimmed Hat Includes: 389622 389623
Head of a Young Jew in a Black Skull Cap
C16065 REMA Head of a Young Jew in a Black Skull Cap Includes: 389626 389627
Christ on the Cross
C16069 REMA Christ on the Cross Includes: 389634 389635
Rembrandt in the Dress of a Lanzknecht
C16099 REMA Rembrandt in the Dress of a Lanzknecht Includes: 389694 389695
Hendrickje Stoffels in a White Cloak
C16102 REMA Hendrickje Stoffels in a White Cloak Includes: 389700 389701
Jacob Blessing the Sons of Joseph
C16155 REMA Jacob Blessing the Sons of Joseph Includes: 389806 389807
Christ and the Samaritan (408)
C16159 REMA Christ and the Samaritan Woman at the Well (408) Includes: 389814 389815
Portrait of a Fair-Haired Boy (Titus?) With a
C16191 REMA Portrait of a Fair-Haired Boy (Titus?) With a Plumed Cap Includes: 389878 389879
Titus (?) In a Brown Cap With Silver Binding
C16198 REMA Titus (?) In a Brown Cap With Silver Binding Includes: 389892 389893
Portrait of a Man in a Fanciful Costume With a
C16199 REMA Portrait of a Man in a Fanciful Costume With a Silver Whistle at His Breast Includes: 389894 389895
Golf Player
397525 Rembrandt Van Rijn Golf Player (also known as 'The Ringball Player') 1654 B., Holl. 125; H. 272; BB. 54-A; NH. 282 3 7/8'' x 5 13/16'' Etching and engraving on laid paper with thread margins or trimmed on the platemark in places. Signed and dated in the plate, Rembrandt f. 1654, lower left. With some made up areas at the upper right sheet edge and at the lower right corner. New Hollstein's second state of two and Nowell Usticke's second state of thr...
Beggar with a Wooden Leg
905751 Rembrandt Van Rijn Beggar with a Wooden Leg 1630 B., Holl. 179; NH. 49 4 5/8'' x 2 3/4'' Etching on laid paper, trimmed to or just outside the platemark. Nowell Usticke's second state of three and New Hollstein's third state of four, with the two horizontal scratches in the blank area at right. According to Usticke, from the P.F. Basan recueil, as issued from 1789-1797.
Christ Seated Disputing with the Doctors
906212 Rembrandt Van Rijn Christ Seated Disputing with the Doctors 1658 B. 64; BB. 54-E; H. 277; NH. 281 3 7/8'' x 5 13/16'' Etching on thin laid paper with small margins. Signed and dated in the plate, Rembrandt f. 1654, top center. Nowell Usticke's second state of two and New Hollstein's first and only state, after the corners were rounded and with the scratch to the left of the standing man. According to Usticke, from the Bernard recueil as issued from 1846-1906....
Raising of Lazarus, Large (Mil
131348 Rembrandt Van Rijn The Raising of Lazarus: The Larger Plate (Millennium) c. 1630 B., Holl. 73; H. 95; BB 34-2 14 1/4'' x 10'' Etching, engraving and drypoint on Ingres d'Arches off-white laid paper (watermark) with large margins. Signed (RHL van Ryn f.) in the plate, on the rock behind Christ at the center. The tenth state according to Bjorklund and Nowell-Usticke. A 20th/21st Century impression printed by master printer, Marjorie Van Dyke. From the 'Millenni...
Rembrandt's Mother with Hands on Chest
142020 Rembrandt Van Rijn Rembrandt's Mother with Hands on Chest B., Holl. 349; H. 50; NH. 87 1631 3 1/2'' x 2 1/2'' Etching on laid paper with small margins. Signed and dated in the plate, RL. 1631, lower left. Nowell Usticke's fifth or sixth state of seven and New Hollstein's fourth state of six, before the vertical lines were added above the eyes, but with the Watelet signature removed. Possibly from the Jean recueil, as issued in 1810. Nowell-Eusticke descr...
Woman Bathing Feet at Brook
904277 Rembrandt Van Rijn Woman Bathing Feet at a Brook (also known as 'Seated Naked Woman') 1658 B. 200; H. 298; BB. 58-D; NH. 309 6 7/16'' x 3 1/4'' Etching on laid paper with small margins. Signed and dated in the plate, Rembrandt f. 1658, upper left corner. Nowell Usticke's second state of two and New Hollstein's second state of two, with the shorter slipt stroke just below the upper margin and after the reworking with cross-hatching. According to Usti...
Christ Disputing with the Doctors: Small Plate
914204 Rembrandt Van Rijn Christ Disputing with the Doctors: Small Plate 1630 B., Holl. 66; NH. 53 3 11/16'' x 2 13/16'' Etching on laid paper with narrow margins. Nowell Usticke's fifth state of six and New Hollstein's seventh state of seven, after the plate was completely redrawn. According to Nowell Usticke, a fifth state impression as issued by Jean in 1810. According to Schwartz, this is an illustration from the new Testament, Luke 2:41-52.
Self Portrait in Cap & Scarf with Face Dark: Bust
905852 Rembrandt Van Rijn Self Portrait in Cap & Scarf with Face Dark: Bust 1633 B., Holl. 17; H. 108; NH. 120 5 3/8'' x 4 3/16'' Etching on thin laid paper with good margins and a partial watermark. Signed and dated in the plate lower left, Rembrandt f. 1633. With an expertly repaired hole just to the left of the figure. Nowell Usticke's fourth state of five and New Hollstein's third or fourth state of five, after the signature and date were added, the plate was re...
Self Portrait in a Velvet Cap With Plume
912677 Rembrandt Van Rijn Self Portrait in a Velvet Cap with Plume 1636 B. 20; H. 156; BB. 38-B; NH. 170 5 3/8'' x 4 1/4'' Etching on thick laid paper with narrow margins. With the signature of the artist and date upper left (faint). Nowell Usticke's third state of three and New Hollstein's fourth state of four, with cross-hatching added to the base of the feather and with the signature re-added. According to Usticke, from the Jean recueil as issued in 1810. Plate i...
St. Jerome Kneeling in Prayer, Looking Down
914218 Rembrandt Van Rijn St. Jerome Kneeling in Prayer, Looking Down 1635 B., Holl. 102; BB. 35-H; NH. 142 4 11/16'' x 3 3/8'' Etching on laid paper with narrow margins. Signed and dated in the plate, Rembrandt f. 1635 upper right (faint). Nowell Usticke's second state of three and New Hollstein's second state of two, with only a slight portion of the "R" in "Rembrandt" visible. According to Usticke, from Jean recueil, as issued in 1810. Rembrandt revisited the the...
Artist Drawing from a Model
49165 Rembrandt van Rijn The Artist Drawing from a Model c. 1639 B., Holl. 192; H. 231; BB 39-2 9'' x 7 1/4'' Etching on laid paper. From the ``Recueil de Quatre-Vingt-Cinq Estampes Originales'' as issued by Michel Bernard after 1846.
Negress Lying Down
904208 Rembrandt Van Rijn Negress Lying Down 1658 B. 205; BB. 58-E; NH. 308 3 5/16'' x 6 3/8'' Etching, drypoint and burin on thick laid paper with small margins. Signed and date in he plate, Rembrandt f. 1658, lower left. Nowell Usticke's third or fourth state of five and New Hollstein's fifth state of six, after the white spots along the upper edge have been shaded over with cross-hatching, but before the model is reworked to have a darker appearance. According to...
Joseph's Coat Brought to Jacob
912707 REMBRANDT VAN RIJN Joseph's Coat Brought to Jacob 1633 B.B. 33, H. 104, N.H. 122, B. 38 4 3/8" x 3 1/4" Etching and drypoint on thick wove paper with narrow margins. Signed in the plate, Rembrandt van Rijn fe, lower right. With the collector's stamp of Hubert Dupond (L. 3926) on the verso. Nowell Usticke's fourth state (of four) and New Hollstein's second state (of two), with the outline of a second thumb removed, the broken outline of the kneeling man's head clos...
Latest News
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Even centuries after his lifetime, Rembrandt’s etchings are still considered some of the finest examples of the medium. His innovations to the art of etching would go on to influence Goya, Picasso, Chagall, and generations of artists to come. Following Rembrandt’s passing in 1669, his remaining copper etching plates virtually stayed intact as they passed from collector to collector until 1993 when a sale at the London Original Print Fair dispersed the plates around the globe. The UK Independent,...
How 8 of Rembrandt’s Original Etching Plates Changed Hands for Over 300 Years
In the popular musical “Hamilton,” George Washington reminds the audience that no one has any control over “who lives / who dies / who tells your story.” That can be especially true for artists who, at the end of their lives, leave behind all of their artwork and often thousands of sketches, rough drafts, and works in progress. For some artists—particularly classical artists who lived before the era of estate planning and copyright law—their artistic legacy can often depend on whoever ends up wi...
How Rembrandt van Rijn Changed the Art of Etching Forever
https://www.youtube.com/watch?v=UxYT6k8o338 Rembrandt van Rijn’s name is synonymous with fine art and a mastery of technique, but few realize that his impact on the art world has more to do with printmaking than his skills with a brush. Sure, his world-famous paintings like “The Night Watch” and “The Return of the Prodigal Son" will forever be studied and admired, but it was Rembrandt’s remarkable innovations in the field of printmaking—specifically, etching—that helped immortalize him. THE ORIG...
Behind the Artist: Rembrandt van Rijn
Nearly 400 years ago, Dutch visionary Rembrandt van Rijn famously wrote: “Choose only one master—nature.” True to his muse, Rembrandt’s magnitude continues to puzzle those in its presence. There are arguably few other artists who embody a talent so vast and incomprehensible, earthly, yet simultaneously immortal. As a tribute to his significance, the notable Spanish court painter Francisco Goya would later revise Rembrandt’s statement to say: “I have had three masters—nature, [Diego] Velázquez,...
