Artists
Artwork
A Caza de Dientes (Out Hunting for Teeth) Plate 12 from "Los Caprichos"
989317 Goya, Francisco A Caza de Dientes (Out Hunting for Teeth) Plate 12 from "Los Caprichos" c. 1799 H. 47, D. 48 8 1/2" x 5 3/4" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty p...
Aguarda que te unten
912784 Goya, Francisco Aguarda que Te unten (Wait till You've Been Anointed) c. 1799 H. 102; D. 104 8 5/8'' x 6'' Etching, burnished aquatint, and drypoint on yellowish laid paper. Plate 67 from "Los Caprichos" (The Caprices). From the seventh edition, printed in blue ink. Edition size limited to 110. Impressions were made in the Calcografia for the Real Academia between 1903 and 1905. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive et...
Al conde palatino (To the Count of Palatine or Count of the Palate) Plate 33 from "Los Caprichos"
990862 Goya, Francisco Al conde palatino (To the Count of Palatine or Count of the Palate) Plate 33 from "Los Caprichos" c. 1799 H. 68, D. 70 8 1/2" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprich...
Alla va Eso (There it Goes)
983699 Goya, Francisco Alla va Eso (There it Goes) c. 1799 H. 101, D. 103 8 1/4" x 6 3/8" Etching, aquatint, and drypoint on wove paper. Plate 66 from "Los Caprichos" (The Caprices). Likely from the sixth edition after bevelled plate and steel facing. Edition size limited to 230. Impressions were made in the Calcografia for the Real Academia between 1890 and 1900. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern...
Aquellos polbos
906907 Goya, Francisco Aquellos Polbos (Those Specks of Dust) c. 1799 H. 58; D. 60 8 5/8'' x 6'' Etching and burnished aquatint on wove paper. Plate 23 from "Los Caprichos" (The Caprices). From the sixth edition after bevelled plate and steel facing. Printed in dark umber ink. Edition size limited to 230. Impressions were made in the Calcografia for the Real Academia between 1890 and 1900. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etc...
Asi Sucedio
915196 Goya, Francisco Asi Sucedio (This is How it Happened) c. 1810-1820 D. 166; H. 167 6 1/8'' x 8 1/4'' Etching, burnished lavis, drypoint, burin and burnisher on Imperial Japan paper. Plate 47 from "Los Desastres de la Guerra" (Disasters of War). From the seventh edition of 150 examples, printed on three types of paper and varying inks. Made by Ruperez in the Calcografia for the Ministerio de Instruccion Publica in 1937, during the Spanish Civil War. Goya executed the eig...
Bien te se Esta
911245 Goya, Francisco Bien te se Esta (It Serves You Right) c. 1810-1820 D. 125; H. 126 5 11/16'' x 8 5/16'' Etching, lavis and burin on laid paper. Signed in the plate lower left. Plate 6 from "Los Desastres de la Guerra" (Disasters of War). From the first edition, B printing. The first edition was printed in two parts: an A printing with title errors and a B printing with the titles corrected. The entire first edition was limited to 500 examples, printed in the Calcografia...
Buen Viage (Bon Voyage)
983697 Goya, Francisco Buen Viage (Bon Voyage) c. 1799 H. 99, D. 101 8 9/16" x 6" Etching, burnished aquatint, and burin on wove paper. Plate 64 from "Los Caprichos" (The Caprices). Likely from the sixth edition after bevelled plate and steel facing. Edition size limited to 230. Impressions were made in the Calcografia for the Real Academia between 1890 and 1900. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern a...
Caridad
918717 Goya, Francisco Caridad (Charity) c. 1810-1820 D. 146; H. 147 6 1/2'' x 9'' Etching, lavis, drypoint, burin and burnisher on laid paper. Signed and dated 1810 in the plate lower left. Plate 27 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the...
Caridad de una Muger
909399 Goya, Francisco Caridad de una Muger (A Woman's Charity) c. 1810-1820 D. 168; H. 169 6 1/8'' x 8 1/4'' Etching, lavis, burin and burnisher on laid paper. Plate 49 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Joseph Bonaparte (1808-1813...
Clamores en Vano
909404 Goya, Francisco Clamores en Vano (Appeals are in Vain) c. 1810-1820 D. 173; H. 174 6 1/8'' x 8 1/4'' Etching, lavis, burin and burnisher on laid paper. Plate 54 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Joseph Bonaparte (1808-1813). Thes...
Correccion (Correction)
983045 Goya, Francisco Correccion (Correction) c. 1799 D. 83 8 3/8" x 5 7/8" Etching, aquatint, drypoint and burin on wove paper. From "Los Caprichos" (The Caprices). From the fifth edition, limited to 210 examples. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern art. Goya began sketching Los Caprichos shortly after an illness that began in...
Cruel lastima!
375495 Goya, Francisco Cruel Lastima! (Cruel Tale of Woe!) D. 167; H. 168 c. 1810-1820 6 1/4" x 8" Etching, burnished lavis, burin and burnisher on laid paper with the castle watermark of Joseph Guarro. Plate 48 from "Los Desastres de la Guerra" (Disasters of War). From the fifth edition, limited to 100 examples, printed in the Calcografia for the Real Academia in 1923. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Jo...
Curarlos, y a Otra
909370 Goya, Francisco Curarlos, y a Otra (Get Them Well, and on to the Next) c. 1810-1820 D. 139; H. 140 6 3/8'' x 9 3/8'' Etching, lavis, burin and burnisher on laid paper. Signed in the plate lower left. Plate 20 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupatio...
De que sirve una taza?
909409 Goya, Francisco De Que Sirve Una Taza? (What is the Use of a Cup?) c. 1810-1820 D. 178; H. 179 6'' x 8 1/8'' Etching, burnished aquatint and lavis on laid paper. Plate 59 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Joseph Bonaparte (1808-1...
Devota Profesion
384269 Goya, Francisco Devota Profesion (Devout Profession) c. 1799 H. 105; D. 107 8 3/8'' x 6 5/8'' Etching, aquatint and drypoint on thick, absorbent wove paper. Plate 70 from "Los Caprichos" (The Caprices). From the fifth edition after bevelled plate and steel facing. Printed in sepia or rich sepia and black ink. Sheets Edition size limited to 210. Impressions were made in the Calcografia for the Real Academia between 1881 and 1886. Signed ''Goya'' in t...
El Amor y la Muerte (Love and Death)
983645 Goya, Francisco El Amor y la Muerte (Love and Death) c. 1799 H. 45, D. 47 8 9/16" x 5 7/8" Etching and burnished aquatint on wove paper. Plate 10 from "Los Caprichos" (The Caprices). Likely from the sixth edition limited to 230 examples printed in dark umber ink. Printed in the Calcografia Nacional for the Real Academia between 1890 and 1900. Los Caprichos, a collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern art. Goya beg...
El de la rollona (Nanny's boy) Plate 4 from "Los Caprichos"
990833 Goya, Francisco El de la rollona (Nanny's boy) Plate 4 from "Los Caprichos" c. 1799 H. 39, D. 41 8 1/8" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints,...
El Que no te ama, Burlando te Difama
382242 Goya, Francisco El Que no te ama, Burlando te Difama (He Who does not like Thee will Defame Thee in Jest) 1816 H. 264; D. 218 9 3/4'' x 14'' Etching and burnished aquatint on heavy wove paper. Plate 17 from "Los Proverbios" or "Los Disparates." From the first edition with a printing of 300 examples. Printed in 1864 by the Real Academia de Nobles Artes de San Fernando, Madrid. This cycle is a much more personal series of dreamlike images. It was originally published as...
El si pronuncian y la mano alargan al primero que llega (They say yes and give their hand to the first comer) Plate 2 from "Los Caprichos"
990831 Goya, Francisco El si pronuncian y la mano alargan al primero que llega (They say yes and give their hand to the first comer) Plate 2 from "Los Caprichos" c. 1799 H. 37, D. 39 8 1/2" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Ac...
El vergonzoso
912771 Goya, Francisco El Vergonzoso (The Shameful One) c. 1799 H. 89; D. 91 8 5/8'' x 6'' Etching and aquatint on yellowish laid paper. Plate 54 from "Los Caprichos" (The Caprices). From the seventh edition, printed in blue ink. Edition size limited to 110. Impressions were made in the Calcografia for the Real Academia between 1903 and 1905. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern ar...
Ensayos
906944 Goya, Francisco Ensayos (Trials) c. 1799 H. 95; D. 97 8 1/4'' x 6 11/16'' Etching, aquatint, and burin on wove paper. Signed in the plate lower left. Plate 60 from "Los Caprichos" (The Caprices). From the sixth edition after bevelled plate and steel facing. Printed in dark umber ink. Edition size limited to 230. Impressions were made in the Calcografia for the Real Academia between 1890 and 1900. Los Caprichos, collection of eighty prints, took Francisco Goya from a re...
Enterrar y callar
918708 Goya, Francisco Enterrar Y Callar (Bury Them and Keep Quiet) c. 1810-1820 D. 137; H. 138 6 1/2'' x 9 1/8'' Etching burnished lavis, drypoint and burin on laid paper. Signed in the plate lower left. Plate 18 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 18...
Escapan entre las llamas
918731 Goya, Francisco Escapan Entre Las Llamas (They Escape Through the Flames) c. 1810-1820 D. 160; H. 161 6 1/2'' x 9 1/16'' Etching and burin on laid paper. Signed in the plate lower left. Plate 41 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during t...
Espiro Sin Remedio
382209 Goya, Francisco Espiro Sin Remedio (There was Nothing to be Done and He Died) c. 1810-1820 D. 172; H. 173 6 1/8'' x 8 1/8'' Etching, burnished aquatint, lavis, burin and burnisher on wove paper. Plate 53 from "Los Desastres de la Guerra" (Disasters of War). From the first edition with corrected letters. The first edition was printed in two variations, with the first variation printing with letters before correction and a second variation with the letters corrected. The...
Esta no lo es Menos
918757 Goya, Francisco Esta no lo es Menos (This is Not Less So) c. 1810-1820 D. 186; H. 187 7 1/8'' x 8 1/2'' Etching, burnished aquatint, drypoint, burin and burnisher on laid paper. Plate 67 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the Frenc...
Esta um? Pues, Como digo ... eh! En Cuidado! Si no...
905575 Goya, Francisco Esta um? Pues, Como digo ... eh! En Cuidado! Si no... (You Understand? Well, as I say...eh! Look Out! Otherwise...) c. 1799 H. 111; D. 113 8 1/2'' x 6 1/8'' Etching and aquatint on wove paper. Plate 76 from "Los Caprichos" (The Caprices). From the fourth edition after bevelled plate. Printed in dark umber ink. Edition size limited to 65. Impressions were made in the Calcografia for the Real Academia around 1878. Los Caprichos, collection of eighty print...
Estan calientes
905512 Goya, Francisco Estan Calientes (They are Hot) c. 1799 H. 48; D. 50 8 5/8'' x 6 1/8'' Etching and burnished aquatint on wove paper. Plate 13 from "Los Caprichos" (The Caprices). From the fourth edition after bevelled plate. Printed in dark umber ink. Edition size limited to 65. Impressions were made in the Calcografia for the Real Academia around 1878. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the fa...
Esto es Malo
915195 Goya, Francisco Esto es Malo (This is Bad) c. 1810-1820 D. 165; H. 166 6 1/8'' x 8 1/4'' Etching, burnished aquatint, lavis, drypoint, burin and burnisher on Imperial Japan paper. Plate 46 from "Los Desastres de la Guerra" (Disasters of War). From the seventh edition of 150 examples, printed on three types of paper and varying inks. Made by Ruperez in the Calcografia for the Ministerio de Instruccion Publica in 1937, during the Spanish Civil War. Goya executed the eigh...
Estragos de la Guerra
918720 Goya, Francisco Estragos de la guerra (Ravages of War) c. 1810-1820 D. 149; H. 150 5 5/8'' x 6 1/2'' Etching, drypoint, burin and burnisher on laid paper. Signed in the plate lower left. Plate 30 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during...
Farandula de Charlatanes
918765 Goya, Francisco Farandula de Charlatanes (Charlatan's Show) c. 1810-1820 D. 194; H. 195 7 1/16'' x 8 3/8'' Etching, aquatint or lavis, drypoint and burin on laid paper. Plate 75 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French oc...
Fuerte cosa es!
915180 Goya, Francisco Fuerte Cosa es! (That's Though!) c. 1810-1820 D. 150; H. 151 6 1/4'' x 8 1/4'' Etching, burnished aquatint and drypoint on Imperial Japan paper. Plate 31 from "Los Desastres de la Guerra" (Disasters of War). From the seventh edition of 150 examples, printed on three types of paper and varying inks. Made by Ruperez in the Calcografia for the Ministerio de Instruccion Publica in 1937, during the Spanish Civil War. Goya executed the eighty-two plates...
La Tauromaquia - Plate 21 Desgracias Acaecidas en el Tendido de la Plaza de Madrid, Y Muerte del Alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor
290855 Goya, Francisco La Tauromaquia - Plate 21 Desgracias Acaecidas en el Tendido de la Plaza de Madrid, Y Muerte del Alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon) 1816 H. 224, D. 244 9 5/8" x 13 7/8" Etching, burnished aquatint and burin on wove paper. From the second edition, printed in the Calcorgafia for the Real Academia in 1855. Printed in dark umber ink. According to Harris, the edition appears to have been small. La Tau...
La Tauromaquia - Plate 30 Pedro Romero Matando a Toro Parado (Pedro Romero Killing the Halted Bull)
291201 Goya, Francisco La Tauromaquia - Plate 30 Pedro Romero Matando a Toro Parado (Pedro Romero Killing the Halted Bull) 1816 H. 233, D. 253 9 5/8" x 13 7/8" Etching, burnished aquatint and burin on wove paper. From the second edition, printed in the Calcorgafia for the Real Academia in 1855. Printed in dark umber ink. According to Harris, the edition appears to have been small. La Tauromaquia was originally comprised of 33 prints and illustrates the art of bullfighting in Spain. The third edi...
La Tauromaquia - Plate 32
905611 Goya, Francisco Dos Grupos de Picadores Arrolla dos de Seguida por un Solo Toro (Two Teams of Picadors Thrown One After the Other by a Single Bull) La Tauromaquia Plate 32 1816 D. 255; H. 235 9 3/4'' x 14'' Etching, burnished aquatint and burin on Van Gelder Zonen laid paper with watermark. Printed in sepia. From the fourth edition with bevelled edges, made by Perez Agua in the Calcografia for Ricardo de los Rios in 1905. According to Harris, from an edition of 100 exa...
La Tauromaquia - Plate A Un Cavalier Espagnol Brisant des 'Rejoncillos' avec l'Aide des Chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants)
291205 Goya, Francisco La Tauromaquia - Plate A Un Cavalier Espagnol Brisant des 'Rejoncillos' avec l'Aide des Chulos (A Spanish Mounted Knight Breaking Short Spears with the Help of Assistants) 1816 H. 237, D. 257 9 7/8" x 13 7/8" Etching, burnished aquatint and burin on Arches laid paper. One of seven additional plates prepared for the third edition, first published by Loizelet in 1876, and lettered A to G. Printed in dark sepia ink. According to Harris, the edition appears to h...
Las Camas de la Muerte
342228 Goya, Francisco Las Camas de la Muerte (The Beds of Death) D. 181; H. 182 c. 1810-1820 7 1/8" x 8 5/8" Etching, lavis, drypoint, burin and burnisher on handmade paper with the castle watermark of Joseph Guarro and stamp of the Achenbach Foundation for Graphic Arts on the verso. Plate 62 from "Los Desastres de la Guerra" (Disasters of War). From the fifth edition, limited to 100 examples, printed in the Calcografia for the Real Academia in 1923. Goya executed the eighty-two plates for the...
Las rinde el sueno (Sleep overcomes them) Plate 34 from "Los Caprichos"
990863 Goya, Francisco Las rinde el sueno (Sleep overcomes them) Plate 34 from "Los Caprichos" c. 1799 H. 69, D. 71 8 1/2" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty p...
Le Descanona (She Fleeces Him) from "Los Caprichos"
983669 Goya, Francisco Le Descanona (She Fleeces Him) from "Los Caprichos" c. 1799 H. 70, D. 72 8 5/8" x 6" Etching and burnished aquatint on wove paper. Plate 35 from "Los Caprichos" (The Caprices). Likely from the sixth edition limited to 230 examples printed in dark umber ink. Printed in the Calcografia Nacional for the Real Academia between 1890 and 1900. Los Caprichos, a collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern art...
Mala noche
384235 Goya, Francisco Mala Noche (A Bad Night) c. 1799 H. 71; D. 73 8 5/8'' x 6'' Etching and burnished aquatint on wove paper. Plate 36 from "Los Caprichos" (The Caprices). From the fifth edition after bevelled plate and steel facing. Printed in sepia and rich sepia and black ink. Edition size limited to 210. Impressions were made in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproducti...
Muchachos al avio (Lads making ready) Plate 11 from "Los Caprichos"
990840 Goya, Francisco Muchachos al avio (Lads making ready) Plate 11 from "Los Caprichos" c. 1799 H. 46, D. 48 8 1/2" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty print...
Muertos Recogidos
382215 Goya, Francisco Muertos Recogidos (Harvest of the Dead) c. 1810-1820 D. 182; H. 183 6 1/16'' x 8 3/16'' Etching and burnished aquatint on wove paper. Plate 63 from "Los Desastres de la Guerra" (Disasters of War). From the first edition with corrected letters. The first edition was printed in two variations, with the first variation printing with letters before correction and a second variation with the letters corrected. The combined printing of both variations was lim...
Nadie nos ha visto
905578 Goya, Francisco Nadie Nos ha Visto (No One has Seen Us) c. 1799 H. 114; D. 116 8 5/8'' x 6 1/8'' Etching, burnished aquatint, and burin on wove paper. Plate 79 from "Los Caprichos" (The Caprices). From the fourth edition after bevelled plate. Printed in dark umber ink. Edition size limited to 65. Impressions were made in the Calcografia for the Real Academia around 1878. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and cour...
Ni asi la Distingue (Even thus He Cannot Make Her Out)
983642 Goya, Francisco Ni asi la Distingue (Even thus He Cannot Make Her Out) c. 1799 H. 42, D. 44 7 7/8" x 5 7/8" Etching and burnished aquatint on wove paper. Signed in the plate lower left. Plate 7 from "Los Caprichos" (The Caprices). Likely from the sixth edition limited to 230 examples printed in dark umber ink. Printed in the Calcografia Nacional for the Real Academia between 1890 and 1900. Los Caprichos, a collection of eighty prints, took Francisco Goya from a reproductive etcher and cou...
Ni por esas
909361 Goya, Francisco Ni Por Esas (Neither do These) c. 1810-1820 D. 130; H. 131 6 3/8'' x 8 3/8'' Etching, lavis, drypoint and burin on laid paper. Signed in the plate lower left. Plate 11 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275 examples, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Jo...
No hay que dar voces
382212 Goya, Francisco No Hay Que Dar Voces (It's No use Crying Out!) c. 1810-1820 D. 177; H. 178 6'' x 8 1/4'' Etching, burnished aquatint, burin and burnisher on wove paper. Plate 58 from "Los Desastres de la Guerra" (Disasters of War). From the first edition with corrected letters. The first edition was printed in two variations, with the first variation printing with letters before correction and a second variation with the letters corrected. The combined printing of...
No hay quien los socorra
918750 Goya, Francisco No Hay Quien Los Socorra (There is No One to Help Them) c. 1810-1820 D. 179; H. 180 6 1/16'' x 8'' Etching, burnished aquatint, burin and burnisher on laid paper. Plate 60 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the Fren...
No se Puede Mirar
909376 Goya, Francisco No se Puede Mirar (One Can't Look) c. 1810-1820 D. 145; H. 146 5 7/8'' x 8 1/4'' Etching, burnished lavis, drypoint and burin on laid paper. Signed in the plate lower left. Plate 26 (with '6' in reverse) from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, d...
Pobrecitas! (Poor Little Girls!)
983021 Goya, Francisco Pobrecitas! (Poor Little Girls!) c. 1799 D. 59 8 5/8" x 5 7/8" Etching, aquatint, drypoint and burin on wove paper. From "Los Caprichos" (The Caprices). From the fifth edition, limited to 210 examples. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern art. Goya began sketching Los Caprichos shortly after an illness that...
Por que fue Sensible (Because she was suseptible) Plate 32 from "Los Caprichos"
989337 Goya, Francisco Por que fue Sensible (Because she was suseptible) Plate 32 from "Los Caprichos" c. 1799 H. 67, D. 69 8 5/8" x 6" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eigh...
Por Una Navaja
915183 Goya, Francisco Por Una Navaja (On Account of a Knife) c. 1810-1820 D. 153; H. 154 6 1/4'' x 8 1/4'' Etching, drypoint, burin and burnisher on Imperial Japan paper. Plate 34 from "Los Desastres de la Guerra" (Disasters of War). From the seventh edition of 150 examples, printed on three types of paper and varying inks. Made by Ruperez in the Calcografia for the Ministerio de Instruccion Publica in 1937, during the Spanish Civil War. Goya executed the eighty-two plates f...
Porque esconderlos?
912747 Goya, Francisco Porque Esconderlos? (Why Hide Them?) c. 1799 H. 65; D. 67 8 11/16'' x 6 1/16'' Etching and burnished aquatint on yellowish laid paper. Plate 30 from "Los Caprichos" (The Caprices). From the seventh edition, printed in blue ink. Edition size limited to 110. Impressions were made in the Calcografia for the Real Academia between 1903 and 1905. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to th...
Qual la descanonan!
905520 Goya, Francisco Qual la Descanonan! (How They Plucked Her!) c. 1799 H. 56; D. 58 8 5/8'' x 6'' Etching and aquatint on wove paper. Plate 21 from "Los Caprichos" (The Caprices). From the fourth edition after bevelled plate. Printed in dark umber ink. Edition size limited to 65. Impressions were made in the Calcografia for the Real Academia around 1878. With an expertly repaired tear lower left. Los Caprichos, collection of eighty prints, took Francisco Goya from a repro...
Qué Alboroto es Este? (What is the Hubbub?)
991424 Goya, Francisco Qué Alboroto es Este? (What is the Hubbub?) C. 1810-1820 H. 185, D. 184 7" x 8 1/2" Etching, burnished aquatint and/or lavis, burin and burnisher on laid paper. Plate 65 from "Los Desastres de la Guerra" (Disasters of War). From the third edition, limited to 100 examples. Printed in inks varying from dark sepia to black. Printed in the Calcografia for the Real Academia in 1903. Numbers were added to the plates at different stages in the course of work. Most of the plates h...
Que Pico de Oro! (What a Golden Beak!)
983686 Goya, Francisco Que Pico de Oro! (What a Golden Beak!) c. 1799 H. 88, D. 90 8 1/2" x 6" Etching, burnished aquatint, and burin on wove paper. Plate 53 from "Los Caprichos" (The Caprices). Likely from the sixth edition after bevelled plate and steel facing. Edition size limited to 230. Impressions were made in the Calcografia for the Real Academia between 1890 and 1900. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the fathe...
Que sacrificio! (What a Sacrifice!) Plate 14 from "Los Caprichos"
990843 Goya, Francisco Que sacrificio! (What a Sacrifice!) Plate 14 from "Los Caprichos" c. 1799 H. 49, D. 51 8" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, too...
Que se Rompe la Cuerda (May the Cord Break)
993710 Goya, Francisco Que se Rompe la Cuerda (May the Cord Break) c. 1810-1820 H. 197, D. 196 7 7/8" x 8 1/2" Etching, burnished aquatint or lavis, drypoint and burnisher on wove paper. Plate 77 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275 examples. Printed in dark umber to black ink. Printed in the Calcografia for the Real Academia in 1906. Numbers were added to the plates at different stages in the course of work. Most of the plates have two en...
Que Viene el Coco
906887 Goya, Francisco Que Viene el Coco (Here Comes the Bogey-man) From "Los Caprichos" ca. 1799 D. 38; H. 36 8 3/4'' x 6 3/16'' Etching and burnished aquatint on wove paper. Plate 3 from "Los Caprichos" (The Caprices). From the sixth edition limited to 230 impression. Made in the Calcografia Nacional for the Real Academia between 1890 and 1900. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of moder...
Que viene el Coco
989308 Goya, Francisco Que vienne el coco (Here comes the bogey-man) Plate 3 from "Los Caprichos" c. 1799 H. 38, D. 40 8 1/2" x 6" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty pr...
Ruega por ella (She prays for her) Plate 31 from "Los Caprichos"
990860 Goya, Francisco Ruega por ella (She prays for her) Plate 31 from "Los Caprichos" c. 1799 H. 66, D. 68 8 1/8" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints,...
Sanos y Enfermos
342223 Goya, Francisco Sanos Y Enfermos (The Healthy and the Sick) D. 176; H. 177 c. 1810-1820 6 1/4" x 8 1/4" Etching, burnished aquatint, burin and burnisher on handmade paper with the castle watermark of Joseph Guarro and stamp of the Achenbach Foundation for Graphic Arts on the verso. Plate 57 from "Los Desastres de la Guerra" (Disasters of War). From the fifth edition, limited to 100 examples, printed in the Calcografia for the Real Academia in 1923. Goya executed the eighty-two plates for...
Se aprovechan
918706 Goya, Francisco Se aprovechan (They Make Use of Them) c. 1810-1820 D. 135; H. 136 6 1/2'' x 9'' Etching, Lavis, drypoint, burin and burnisher on laid paper. Signed in the plate lower left. Plate 16 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, durin...
Si Quebro el Cantaro (Yes He Broke the Pot)
983024 Goya, Francisco Si Quebro el Cantaro (Yes He Broke the Pot) c. 1799 D. 62 8 1/8" x 5 7/8" Etching, aquatint, drypoint and burin on wove paper. From "Los Caprichos" (The Caprices). From the fifth edition, limited to 210 examples. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Francisco Goya from a reproductive etcher and court painter to the father of modern art. Goya began sketching Los Caprichos shortly after an il...
Siempre Sucede
915157 Goya, Francisco Siempre Sucede (It Always Happens) c. 1810-1820 D. 127; H. 128 7 1/8'' x 8 3/4'' Etching and drypoint on Imperial Japan paper. Plate 8 from "Los Desastres de la Guerra" (Disasters of War). From the first edition, B printing. From the seventh edition of 150 examples, printed on three types of paper and varying inks. Made by Ruperez in the Calcografia for the Ministerio de Instruccion Publica in 1937, during the Spanish Civil War. Goya executed the eighty...
Tambien Estos
909375 Goya, Francisco Tambien Estos (These Too) c. 1810-1820 D. 144; H. 145 6 1/2'' x 9 3/8'' Etching, drypoint and burin on laid paper. Signed in the plate lower left. Plate 25 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Joseph Bonaparte (1808-...
Tantalo (Tantalus) Plate 9 from "Los Caprichos"
990838 Goya, Francisco Tantalo (Tantalus) Plate 9 from "Los Caprichos" c. 1799 H. 44, D. 46 8 1/4" x 6" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Francisco Goya f...
Tragala Perro (Swallow it, Dog) Plate 58 from "Los Caprichos"
990887 Goya, Francisco Tragala Perro (Swallow it, Dog) Plate 58 from "Los Caprichos" c. 1799 H. 93, D. 95 8 1/2" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, too...
Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of Devotee)
996662 Goya, Francisco Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of Devotee) 1816 H. 256, D. 210 9 1/2" x 13 7/8" Etching, burnished aquatint, burin and drypoint on heavy wove paper with a Coat of arms of the Calcografía Nacional 1970 watermark. Plate 9 from "Los Proverbios" or "Los Disparates." From the tenth edition, printed in 1970 at the Calcografía Nacional, Madrid. This cycle is a much more personal series of dreamlike images. It was originally published as a set of...
Unos a Otros (What Ones does to the Other) Plate 77 from "Los Caprichos"
990906 Goya, Francisco Unos a Otros (What Ones does to the Other) Plate 77 from "Los Caprichos" c. 1799 H. 112, D. 114 8 3/8" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eight...
Y Aun No Se Van! (And Still They Don't Go!) Plate 59 from "Los Caprichos"
990888 Goya, Francisco Y Aun No Se Van! (And Still They Don't Go!) Plate 59 from "Los Caprichos" c. 1799 H. 94, D. 96 8 3/8" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of e...
Y esto tambien
911284 Goya, Francisco Y Esto Tambien (And this too) c. 1810-1820 D. 164; H. 165 6 1/2'' x 8 1/4'' Etching, aquatint or lavis, drypoint and burin on laid paper. Signed in the plate lower left. Plate 45 from "Los Desastres de la Guerra" (Disasters of War). From the first edition, B printing. The first edition was printed in two parts: an A printing with title errors and a B printing with the titles corrected. The entire first edition was limited to 500 examples, printed in the...
Y No Hai Remedio
349624 Goya, Francisco Y No Hai Remedio (And There's No Help for It) c. 1810-1820 D. 134; H. 135 5 5/8'' x 6 5/8'' Etching, drypoint, burin and burnisher on laid paper. Plate 15 from "Los Desastres de la Guerra" (Disasters of War). From the fourth edition, limited to 275, printed in the Calcografia for the Real Academia in 1906. Goya executed the eighty-two plates for the Disasters of War between 1810 and 1820, during the French occupation of Spain by Joseph Bonaparte (1...
Ya es Hora (It is Time) Plate 80 from "Los Caprichos"
990909 Goya, Francisco Ya es Hora (It is Time) Plate 80 from "Los Caprichos" c. 1799 H. 115, D. 117 8 1/2" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Fran...
Ya no hay tiempo
918709 Goya, Francisco Ya No Hay Tiempo (There isn't Time Now) c. 1810-1820 D. 138; H. 139 6 5/8'' x 9 1/4'' Etching, lavis, drypoint, burin and burnisher on laid paper. Signed in the plate lower left. Plate 19 from "Los Desastres de la Guerra" (Disasters of War). From the third edition of 100 examples, printed in dark sepia and black ink. Made in the Calcografia for the Real Academia in 1903. Goya executed the eighty-two plates for the Disasters of War between 1810 and...
Ya van desplumados (There they go plucked (i.e. fleeced) Plate 20 from "Los Caprichos"
990849 Goya, Francisco Ya van desplumados (There they go plucked (i.e. fleeced) Plate 20 from "Los Caprichos" c. 1799 H. 55, D. 57 8 3/8" x 5 7/8" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collect...
Ysele quema la casa (and his house is on fire) Plate 18 from "Los Caprichos"
990847 Goya, Francisco Ysele quema la casa (and his house is on fire) Plate 18 from "Los Caprichos" c. 1799 H. 53, D. 55 8 1/2" x 6" Etching and aquatint on thick wove paper with full margins. From "Los Caprichos" (The Caprices). From the fifth edition (of twelve) with the plate beveled. Printed in sepia or very rich sepia and black inks. The edition was limited to approximately 210 sets. Printed in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty...
Ysele quema la casa
384217 Goya, Francisco Ysele Quema la Casa (And His House is on Fire) c. 1799 H. 53; D. 55 8 3/4'' x 6 1/8'' Etching and aquatint on wove paper. Plate 18 from "Los Caprichos" (The Caprices). From the fifth edition after bevelled plate and steel facing. Printed in sepia and rich sepia and black ink. Edition size limited to 210. Impressions were made in the Calcografia for the Real Academia between 1881 and 1886. Los Caprichos, collection of eighty prints, took Francisco Goya f...
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A Closer Look at Francisco Goya’s ‘Disasters of War’ (Los Desastres de la Guerra)
Haunting, macabre, and poignant, the series of 82 etchings by Spanish artist Francisco Goya known as “The Disasters of War” is a powerful reminder of the inhumane consequences of warfare. The imagery Goya created for this 19th-century series is not pleasant, but this is by design. Instead of heroic depictions of battles, Goya sought to convey the tragic results of violent conflict through his harsh, realistic etchings. This series went on to inspire other artists like Pablo Picasso and th...
Behind the Artist: Francisco Goya
Spanish visionary Francisco Goya is considered to be the last Old Master in art history, but not without setting the pace of the Modern era. Goya began his artistic reign in the 18th century as a court painter to Spanish royals, envisioning imperial greatness in paint. As the Spanish Peninsular War erupted in 1808, Goya grew critical of the Spanish and Bourbon monarchies. To express his disgust, the artist reduced the feeble promises of the political elite to their fleshiest and darkest parts. G...
7 Creepy Works from Francisco Goya’s ‘Los Caprichos’ Series
Francisco Goya is one of the most important Spanish artists of the 18th and 19th centuries. He was a satirist, he was a genius, and he also had a definite taste for the macabre. When art lovers describe Goya's later works, in particular, you'll frequently hear the words "unsettling" or "creepy." Goya wasn't afraid to be creepy, especially in his famous “Los Caprichos” series, which he began sketching shortly after becoming ill in 1792. That illness sparked a wave of creativity that led to the de...
Francisco Goya: Los Caprichos at University of Michigan Museum of Art
The University of Michigan Museum of Art recently added to its collections a complete first edition (80 etchings) of Francisco Goya y Lucientes’s (1746–1828) famous set of prints Los Caprichos, which offers cutting social commentary on religion, prostitution, and the professional class.
